Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers
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“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe into the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.
A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently faced censorship through the Polish Communist regime for the belated ’70s and very very early ’80s for their unabashedly political works. Szulkin’s films that are profoundly imaginative be considered as existential stories, absurdist parables, or premonitions about modern society’s hostility while the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic technology fiction films. Described as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies that have been seldom seen outside of their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global governmental environment.
Among the largest retrospectives of his strive up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand brand new electronic restorations and imported movie prints. The show showcases most of Szulkin’s features, including his audacious cult classic Golem , frequently considered a precursor to Blade Runner ; The War associated with the Worlds: Next Century, a reimagining of this H.G. Wells novel plus an indictment of mass media’s influence on civilians; O-Bi, O-Ba: the termination of Civilization , which follows the rest of the survivors of the nuclear apocalypse from their dire situation; Szulkin’s exploration of female sexuality in the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is sent on a mission to a police state hell planet; and Szulkin’s final film, King Ubu , based on the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland in the aftermath of the Communism Szulkin criticized throughout his career as they wait for a mythical Ark to save them. Furthermore, the retrospective will highlight Szulkin’s quick movie work, such as the folklore-inspired morality play Dziewce z ciortem plus the documentary Working Women .
Presented in collaboration utilizing the Polish Cultural Institute nyc.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and therefore are $15; $12 for pupils, seniors (62+), and people with disabilities; and ten dollars for movie at Lincoln Center users. Save with all the purchase of three seats or higher.
Acknowledgments: Polish Cultural Institute Nyc; Daniel Bird
FILMS & DESCRIPTIONS All tests occur at the Walter Reade Theater (165 western 65th Street) unless otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a prolonged company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from fever-dream seductions to her childhood mingle. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of the lusty Joseph Stalin to a set of shockingly randy puppets—as it savages faith, hawaii, together with notion of the nuclear household.
Preceded by: brand brand New electronic restoration Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious labor. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In the next where life on the planet is now therefore wonderful that only prisoners can be used for the dangerous business of area exploration, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered for an apparently condemned objective to an uncharted planet. Upon their arrival, he discovers some sort of curiously such as a dilapidated, postapocalyptic world, where he’s welcomed because of the population as being a “hero,” an ignominious honor, he soon learns, that accompany a many barbaric fate. Using the film’s title that is appropriately nonsensical the babble of his infant child, Szulkin provides a bleakly acerbic commentary regarding the absurdity of life in an authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
Brand brand New restoration that is digital Poland, 1980, 92m Polish with English subtitles in certain dystopian future, experts make an effort to produce a brand new, pliable battle of people. a apparently ordinary item associated with the effort, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring while he goes about their life amidst drab bloc architecture that is soviet. Szulkin’s bold function first, styled in sepia tones and dramatic illumination, happens to be called a precursor to Blade Runner , but its name additionally appears back once again to an even more ancient myth of creation and morality.
Preceded by: brand brand brand New electronic restoration The Gal as well as the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play of a sinful woman’s encounter utilizing the devil, set to your Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere According to Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie can be a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (their signature policy: universal free beer) simply to institute their own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a new dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from an musician whom devoted their profession to lobbing grenades in the machinery of totalitarian governmental corruption. Sunday, September 8, 6:00pm
Brand brand brand New electronic renovation O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the past vestiges of civilization. They truly are spurred in by their fervent belief in a fabled Ark that may deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, in component, because of the increasingly disillusioned smooth (Jerzy Stuhr) while he tries to push away total collapse. Involved in an expressionistically grimy, grey- and palette that is blue-toned Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays down like a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
brand New digital renovation The War of this Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles specialized in both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts utilizing the Christmastime takeover of Poland with a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) given that sound of these 1984 -esque propaganda https://bestbrides.org/asian-brides device. However when Iron dares to stop message, he makes an enemy also higher than the aliens: the continuing state it self. Released just like Poland was being plunged into martial legislation and straight away prohibited, The War associated with Worlds: Next Century is really a disturbingly prescient allegory of energy, control, and news manipulation in a world that is post-truth. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm